PUBLICATIONS (Editor/Publisher, Co-Editor or Co-Publisher)
Ilya & Emilia Kabakov: Between Heaven and Earth (Oakville Galleries, 2025) (e/p)
Timothy Yanick Hunter, Oakville Galleries, 2025 (e/p)
Camille Henrot: Mother Tongue, (Hatje Cantz, 2024) (co-p)
„Khalil Rabah,“ Salzburger Kunstverein, Digital Catalogue, 2022 (e/p)
“Film as Muse,” Salzburger Kunstverein, Digital Catalogue, 2021 (e/p)
Tatjana Danneberg, (Milan: Mousse Publishing, 2021) (co-p)
… Line as Thought, Lines as Universe … (Salzburg: Salzburger Kunstverein, 2021) (e/p)
Gernot Wieland, (Salzburger Kunstverein & Kunsthalle Saint Gallen), 2020 (co-p)
Ashley Hans Scheirl, (Berlin: Hatje Cantz, Künstlerhaus Graz & Salzburger Kunstverein, 2020) (co-p)
Katarina Zdjelar: In the break … Vladimir. (Salzburger Kunstverein & SpazioA, 2020) (co-p)
20 Propositions (Salzburg: Salzburger Kunstverein, 2018) (e/p)
A Painter’s Doubt (Salzburg: Salzburger Kunstverein, 2017) (e/p)
Invisible Violence (Museum of Contemporary Art, Belgrade, Salzburger Kunstverein, Artium, Vittoria, 2017)
(co-editor with Zoran Eric & Blanca de la Torre) (co-e/co-p)
The People’s Cinema (Salzburg: Salzburger Kunstverein, 2016) (e/p)
Punctum: Reflections on Photography (Salzburg: Salzburger Kunstverein & Fotohof, 2014) (e/p)
Isabel Nolan: Intimately Unrelated (Sligo: The Model, 2011) (e/p)
Ilya & Emilia Kabakov: Angelology (Sligo: The Model, 2010) (e/p)
Jack B.Yeats: The Outsider (Sligo: The Model, 2010) (e/p)
Anti-Catalogue (edited with Amish Morrell) (Sligo: The Model, 2010) (co-e/p)
Signals in the Dark: Art in the Shadow of War (Toronto: University of Toronto, 2008) (e/p)
18:Beckett (Toronto: University of Toronto, 2006) (e/p)
(Winner: Best Curatorial Essay, Ontario Association of Art Galleries, 2007)
Unterspiel (Vancouver: Belkin Gallery, UBC, 2005) (e/p)
ESSAYS AND PUBLISHED ARTICLES (SELECTED)
“Painting & Doubt,” in The Routledge Companion to Contemporary Painting. Editors Craig Staff and Donal Moloney. Routledge, Taylor Francis Publishing. Forthcoming 2025.
Ilya & Emilia Kabakov: Between Heaven and Earth (Oakville Galleries, 2025)
“None of This is In My Mind: Kristan Horton,: Oakville Galleries, 2025
“Charles Stankievech: The Desert Turned to Glass,” Oakville Galleries, 2024
“Hedda Roman: Rogue Planet,” Oakville Galleries, 2024
“Tarik Kiswanson: Prelude,” Oakville Galleries, 2024
“Sung Tieu: Civic Floor,” Oakville Galleries, 2024
“Tarik Kiswanson: Afterwards,” Salzburger Kunstverein, 2023
“Aideen Barry: The Song of the Bleeding Tree,” Salzburger Kunstverein, 2023
“Hedda Roman: Wet Closet,” Salzburger Kunstverein, 2023
“Bani Abidi: The Song,” Salzburger Kunstverein, 2022
“Jonas Geise: Danke, Gut!,” Salzburger Kunstverein, 2022
“Codes, Coddling and Creationism: Camille Henrot,“ Camille Henrot: Mother Tongue, 2023
“Film as Muse,” Salzburger Kunstverein, 2022
“Biennalist: Not a Project, A Format,” in Thierry Geoffroy, (Cologne: Walter König Books, 2021)
Foreword, Csaba Führjesi: Prints (2001-2021), (Salzburg) 2021
“Flurry, Process, Quietude,” Tatjana Danneberg (Milan: Mousse Publishing), 2021
„Megan Rooney: I Want You Green,“ Salzburger Kunstverein, 2020
„On the Work of Gernot Wieland,“ Gernot Wieland. (Salzburger Kunstverein & Kunsthalle Saint Gallen), 2020
„Ob_scenery,“ Ashley Hans Scheirl (Künstlerhaus Graz, Salzburger Kunstverein, 2020)
„Declan Clarke: The Museum of Broadcasting & Loneliness,” Salzburger Kunstverein, 2020
“Adrian Paci: Chronicles of Severed Words, Chronicles of Displacement,” Catalogue: Adrian Paci. Kunsthalle Krems & Salzburger Kunstverein, 2019
“Omer Fast: The World is a Golem,” Salzburger Kunstverein, 2019
“Askance at the Past, Askance at the Future,” Alona Rodeh, Kunstpalais Erlangen, Germany. 2019 (catalogue)
Katarina Zdjelar (Salzburger Kunstverein, 2019) (introduction text) (catalogue)
“20 Propositions.” 20 Propositions. (Salzburger Kunstverein, 2018). (catalogue)
“Lucy Skaer: La Chasse.” Brochure: Lucy Skaer. Salzburger Kunstverein, 2018
“ATOM SPIRIT,” Ursula Mayer: ATOM SPIRIT, Salzburger Kunstverein, 2017
“Turtles, black buckets …. all the way down.”: Geoffrey Farmer & Gareth Moore (Salzburg: Salzburger Kunstverein, 2017)
“Repositories of Unseen Impulses.” Dejan Kaludjerovic: Conversations (Vienna: Weltmuseum), 2018 (catalogue)
“On Anja Ronacher’s Photography,” BC21 Award 2017 Catalogue. Belvedere Museum (Vienna: Belvedere Museum, 2017) (catalogue)
“Floating Self,” exhibition text for brochure, Salzburger Kunstverein, 2017
“A Painter’s Doubt: Notes towards an Exhibition,” A Painter’s Doubt (Salzburg: Salzburger Kunstverein, 2017) (catalogue)
“The Long Road from Tall Trees to Tall Houses,” Hans Schabus: The Long Road from Tall Trees to Tall Houses (Berlin: Revolver, Published by the Salzburger Kunstverein & Kunsthalle Darmstadt; 2017) (catalogue)
“Fuß nach Fuß: Ein Text für Ute Müller,” (Foot after Foot). Ute Müller (Vienna: Ute Müller, 2017) (catalogue)
“Figures of Invisible Violence in Europe,” Invisible Violence (Museum of Contemporary Art, Belgrade, Salzburger Kunstverein, Artium, Vittoria, 2017) (co-editor with Zoran Eric & Blanca de la Torre) (catalogue)
“Isurrenderdear,” exhibition text for brochure, Salzburger Kunstverein, 2016
“Desire, Time-Machines and the Heightened Moment.” The People’s Cinema (Salzburg: Salzburger Kunstverein, 2016) (catalogue)
“Capua corrupted Hannibal,” Stan Douglas: The Secret Agent (Brussels: Ludion, in collaboration with Wiels, Brussels & Salzburger Kunstverein, 2015-2016) (catalogue)
“Ella Littwitz,” exhibition text for brochure, Salzburger Kunstverein, 2016
“On Akam Shex Hady’s Photographs,” exhibition text for brochure: Iraqi Pavilion, Venice Biennale, 2015
“Überschönheit,” Überschönheit (Excessive Beauty), exhibition text for brochure, Salzburger Kunstverein, 2015
“Four Texts on Stan Douglas,” Stan Douglas: Mise en Scene (Munich: Prestel / Haus der Kunst, 2014) (catalogue)
“Arriving at Punctum,” Punctum: Reflections on Photography (Salzburg: Salzburger Kunstverein & Fotohof, 2014) + (catalogue)
“Meta-campus,” Mondes modèles: Stephane Gilot (Montreal: Galerie de l’Universite de Québec, 2012) (catalogue)
”Armpit: The Liverpool Biennale,” Cultural Hijack: Rethinking Intervention. Liverpool University Press. Edited by Ben Parry, Sally Medlyn, Myriam Tahir, 2011. (catalogue)
“A short sketch on the apparent in Isabel Nolan’s work,” Isabel Nolan: Intimately Unrelated (Catalogue for A hole within the future) (Sligo: The Model, 2011 (catalogue)
“Angelology,” Ilya & Emilia Kabakov: Angelology (Sligo: The Model, 2010) (catalogue)
“No Center: Etienne Zack,” Etienne Zack (Montreal: Musee d’art contemporarain, 2010) (catalogue)
“Who is the Master? – Paul Chan/Ivan Grubanov,” monochrom journal, Vienna, July 2010
“A Few Notes on Deep Play,” Harun Farocki: Soft Montages (Bregenz: Kunsthaus Bregenz, 2010) (catalogue)
“A Coterie by Difference: Dorm,” Anti-catalogue I (Sligo: The Model, 2010) (catalogue)
“A few notes on Reverse Pedagogy III,” Visual Arts Ireland, Dublin, November 2009
“Blasphemy and Art,” Visual Arts Ireland, Dublin, September 2009
“Renaming The Model,” Irish Independent, Dublin, August 2009
“The politics of everyday life and everyday art,” Visual Arts Ireland, Dublin, June 2009
“Biennalism,” Visual Arts Ireland, Dublin, April 2009
“Thierry Geoffroy at the Venice Biennale,” C Magazine, Toronto, April 2009
“A few notes on the recession,” Visual Arts Ireland, Dublin, November 2008
“Tilo Schulz,” TIlo Schulz: I WAS SHOT IN THE BACK, brochure, Blackwood Gallery, 2008
“Convictive Confession,” Isabelle Pauwels: Triple Bill (Vancouver: Arsenal Pulp Press, 2008)
“Maneuvering in the Shadows of Absolute War,” Signals in the Dark: Art in the Shadow of War (Toronto: University of Toronto, 2008), 49 – 91. Other contributors included, Boris Groys, Gene Ray. (editor) (catalogue)
“You Don’t Love Me Yet: Johanna Billing,” Look Behind Us A Blue Sky, (Berlin: Hatje Cantz Verlag), 2007 (catalogue)
“Awareness Muscle,” Exhibition Text for Awareness Muscle (Mississauga: Blackwood Gallery,) 2007
“Ten Texts for 18:Beckett,” 18:Beckett (Toronto: University of Toronto, 2006), 41 – 73. contributors included Terry Eagleton (Kealy Text Awarded OAAG Curatorial Award) (editor) (catalogue)
“The King and Eye,” The King and I. (Morris and Helen Belkin Art Gallery, UBC, Vancouver, 2006), 2 – 11. (catalogue)
“The Number One Galleries …,” The Fillip Review (Vancouver: Projectile Publishing, Winter 2006), 1, 4 – 6.
“Etienne Zack,” Canadian Art Magazine, (Toronto: Canadian Art Foundation, Fall, 2005), 74-75.
“Sketches on Recent Viennese Art,” Unterspiel, (Vancouver: Belkin Gallery, UBC, 2005), 4-33. (catalogue)
“Steven Shearer,” Flash Art International (Milan: Politi, No 241, March/April 2005), 92.
“Daniel Richter,” Flash Art International (Milan: Politi, No 239, December, 2004), 87-88.
“Mike Kelley: The Uncanny, MUMOK, Vienna,” Canadian Art Magazine, (Toronto: Canadian Art Foundation, Winter 2004), 77 - 78.
“Home and Away,” Flash Art International (Milan: Politi, No 235, March-April 2004), 68.
“Letter from Mitte, Berlin” Canadian Art Magazine (Toronto: Canadian Art Foundation, Vol 20, No 3, Fall 2003), 66-68.
“Martin Kippenberger: MUMOK, Vienna” Flash Art International (Milan: Politi, No 231, July - September 2003), 82.
“Armpit: Gelitin: Vienna,” Flash Art International (Milan: Politi, No 230, Summer 2003), 64.
“The Phantom of Desire: Neue Galerie, Graz,” Canadian Art Magazine (Toronto: Canadian Art Foundation, Summer 2003), 48 – 50.
“Lieber Maler, male mir: Kunsthalle Wien,” Canadian Art Magazine, (Toronto: Canadian Art Fdn, Vol 20, No 1, Spring 2003), 57-60.
“Hans Schabus at Secession,” Flash Art International (Milan: Politi, No 229, April/May 2003), 44 - 46.
“Ron Terada”, Canadian Art (Toronto: Canadian Art Foundation, Vol 19, No 3, Fall 2002), 57.
“Royal Art Lodge,” Terminal City Weekly (Vancouver: Winter 2001), 35.
“Geoffrey Farmer,” Terminal City Weekly (Vancouver: Fall 2001), 38.